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CITY POP EQUINOX - MUSIC FOR MOTION

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CITY POP EQUINOX: MUSIC FOR MOTION

CITY POP EQUINOX: MUSIC FOR MOTION

CITY POP EQUINOX: MUSIC FOR MOTION

September’s runs are about control: cooler air, longer exhale, and an even 6:00 pace.

This set strings together classic and modern Japanese city pop sleek drums, chorus-tinted guitars, Rhodes shimmer so your 15K becomes one uninterrupted line.

The Playlist:

  • Midnight Pretenders — Tomoko Aran: A silk curtain lift; start moving before you start pushing.
  • Mayonaka no Door — Miki Matsubara: Buoyant bass guides a relaxed stride; keep HR low while cadence settles.
  • Summer Connection — Taeko Ohnuki: Feather-light percussion eases you into cruise control.
  • Ride on Seaside — PIPER: Clean guitars, soft synths—pace magnet for early flats.
  • Bay City — Junko Yagami: Sun-lit chorus, tidy drums; a steady pull down long blocks.
  • BLUE LAGOON — Masayoshi Takanaka: Iconic guitar glide; upbeat but composed.
  • Remember Summer Days — Anri: Velvet groove to hold posture and relax hands.
  • Flyday Chinatown — Yasuha: Playful swing for subtle rises and turns.
  • L.A. Night — Yasuko Agawa: Soft-disco pulse; sneak a form check, keep shoulders low.
  • Kimi wa Tennenshoku — Eiichi Ohtaki: Shimmer + elasticity = mental reset at mid-run.
  • Stay Tune — Suchmos: Neo-city-pop polish; a gentle nudge without overcooking effort.
  • NEW ERA — Nulbarich: Pocket-tight drums; lock cadence when fatigue whispers.
  • Joy — LUCKY TAPES: Small endorphin rise; keep it light, keep it tidy.
  • Bluemin’ Days — Yogee New Waves: Breezy panorama for the last long straight.
  • Summer Soul — cero: Loose, jazzy sway—hold pace while the scenery carries you.
  • Dress Down (2021 Remaster) — Kaoru Akimoto: Velvet city-lights tempo for the penultimate push.
  • Summer Breeze — PIPER: Hypnotic repetition keeps focus without strain.
  • 街のドルフィン (Dolphin in Town) — Kingo Hamada: Brass-tinted ease for the finish; glide into cooldown.

Press play at your first step. Let the opening trio function as a “moving warm-up,” then ride the mid-set as your metronome. The closing cuts keep you composed to the line no spikes, no sag, just flow.

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