Saigon Supersound Vol. 2presents more interesting tunes of a musical era that has long been obscured. As with Saigon Supersound Vol. 1, (SSS 001CD/LP, 2017) this new volume digs deeper to share the beautiful music of a short but significant period in Vietnam's history. Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist state, while American troops backed the government of the South. This caused a mass migration of Northerners to the South, which included many Tân Nhạc (modern music) singers and songwriters. Tân Nhạc continued to develop in the South, moving on from the influences of its main inspiration, French music. In the North, the Resistance music, the so-called Nhạc Đỏ (Red Music), promoted socialism, patriotism and anti-capitalism and was the only genre allowed on national radio. Between 1954-1960, the theme of (quê hương), or hometown, was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th track on the compilation, "Thôn Trăng Mở Hội Trăng Tròn" showcases a variety of images often described in this genre: the harvest moon, playful children, an old mother.

Label: Saigon Supersound

Genre: World

Release Date: 11/2/2018

Article: F_0987

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